December 2016 - January 2017
Eimear Tynan’s work explores the landscape as a repository of memory and ritual. In her new body of work, Tynan has created a series of small oil paintings which represent mystical landscapes. The murky images reference the landscape at dawn or dusk, times of magical possibilities. Using oil glazes, Tynan has layered imagery, revealing parts of a scene while obscuring others. In these enigmatic images, there is more going on than we can see. Inspired in part by re-imaginings of the mystical landscapes of Renaissance paintings, the work evokes a sense of artifice and theatricality.
October - November 2016
Deirdre McCrory who lives in Hillsborough, Co. Down, trained at Belfast College of Art and the Royal College of Art, London. Deirdre has worked as an applied artist specialising in enamelling and printmaking. She has exhibited nationally and internationally both as an individual artist and as a member of the British Society of Enamellers and Seacourt Print Workshop. She is a member of the Design and Crafts Council of Ireland Portfolio. Deirdre’s work is in numerous public and private collections including the Arts Council of Northern Ireland, Dublin Castle, Ulster Museum and the Lisburn Museum. She has received awards from the Arts Council of Northern Ireland. Deirdre’s imagery comes from her environment at home and abroad and the plants and animal life that encroach on it. Inspiration very often comes from patterns in nature, from organic material growing and decaying, and movement in shapes and colour. She is interested in the exploration and development of images. Experimentation in the processes of enamelling and printmaking enables her to create the finished pieces. Deirdre’s exhibition will feature her interpretation of nature in print and enamel showing her interest in both mediums using etching press and kiln.
August - September 2016
Rebecca Bradley’s practice investigates themes of landscape and memory through painting. Through a process of studio and site based research, she explores how our sense of place is not certain but contingent upon what we believe and what we choose to remember. This solo exhibition explores her experiences of locations such as the Cork City Docklands and its surrounding harbour. Her paintings reflect on, and evoke our lived and deeply subjective impressions of place. She salvages and embeds materials, such as rubble and sand, from these sites, to build up surfaces that punctuate and disrupt the traditional two dimensional picture plane. For Bradley this process is a bid to archive these unstable spaces, and alludes to their mutability from ongoing human and ecological interventions.
Bradley holds an MA in fine art and process from the Crawford college of art and design. Solo exhibitions include: Provisional View, Sternview Gallery, Cork, (2015); Situate, Parade, Margate, UK, (2013); Postcards, Enniskillen Visual Arts Festival, Co. Fermanagh, (2010); Soft Days, Doswell Gallery, Rosscarberry, Co. Cork, (2009). Group exhibitions include: Art Works, Visual, Carlow Arts Festival, (2016); Utopia Dystopia, Fringe Arts Festival, Bath, UK, (2016); There’s a Ghost in My House 2, Symposium and Exhibition, CIT Crawford College of Art and Design, Cork, (2015); Sulumuc, Tactic Gallery, Sample-Studios, Cork, (2014); Land and Sea, Sirius Arts Centre, Cobh, (2011); Miami SCOPE Art Fair, (2010).
“These are paintings that deserve to be viewed close-up and sidelong, so that we are reminded why it is that people still do and should and need to paint.” - Dr. Sarah Hayden, University of Southampton, excerpt from talk delivered on the occasion of the opening of Provisional View Exhibition, September 2015
“She uses found materials such as foxed paper and faded postcards to make quietly restrained paintings of gentle decay. The results at first seem muted and spare, almost minimal, but also present an absorbing investigation into the transitions between two and three dimensional spaces, using shallow relief, recession and torn, frayed layers.” - Sarah Kelleher, writer and curator, in Paper Visual Art Journal
"Outstanding textural paintings based on landscape” - Aidan Dunne, The Irish Times visual art critic
June - July 2016
Pádraig Lynch always wanted to paint and in the early years satisfied this need by painting stage scenery and sets for various choral, musical and dramatic societies. In the ‘60s he attended UCD, obtaining a degree in Archaeology and History of Art and in the early ‘70s studied under the watchful eye of George Collie RHA at his Dublin studio. Since 1980 he has been a regular exhibitor at RHA Annual Exhibitions and also at Oireachtas, RHA Banquet, Oriel Gallery, Waldock Gallery, Sandford Gallery, Leinster Gallery, Purple Onion Gallery and the Lavit Gallery. Selected collections and commissions include: Irish Distillers, Irish Financial Centre, ESB Government Buildings, Mater Private Hospital, Ulster Bank and Bushmills Distillery.
Most of Pádraig’s work is in oil, landscape and still life but he also works in watercolour. His approach to paintings is simple; “I paint what I see”. Early work was influenced by the work of the Ulster landscape painters, Frank McKelvey, James Humbert Craig, Paul Henry and Maurice Wilks. Much of the landscape painted by these artists was rugged and mountainous and later he would come to admire the work of Constable, and also that of Edward Seago who worked in the late landscape of Norfolk and Suffolk; similar to that of counties Louth and Meath. Pádraig has always enjoyed painting still life; the work of Chardin and that of the great Dutch and Flemish painters, Vermeer, Willem Claesz and Pieter Claesz has always been a great source of inspiration for him.
April - May 2016
Thomas Brezing's exhibition is entitled 'I Am A Painter I Love You'. Thomas Brezing was born in Germany in 1969 and moved to Ireland in the 1990’s. Thomas works in installation, painting, performance and video. For this exhibition he will be showing a selection of small scale paintings. These works are loosely landscape orientated, or, the base for each work starts with the notion of landscape and location, woods, water, in some cases the human presence and how we interact with our environment and respond to it. The paintings are not planned out or pre-conceptualised as the actual act and pleasure of painting takes over and chance and looseness plays as much a role as concrete thinking while paint is pushed around, scraped off, made flow, thrown, fixed, removed, restored etc. building up the layers. All through this process the paintings resist closure as - the paintings and the painter - strive towards a totality, impossible to achieve. “Reflecting through the lens that is my art practice I have realised a painting can therefore never be an answer, we have to accept its failure and understand its futility.”
March - April 2016
Our Easter Snow Gallery was delighted to showcase the work of local artists Noel Manning, Siobhan Sweetman, Dinnah Berrill and Paddy Donaghy.
February - March 2016
Mary Breach is originally from Kilsallaghan, Co. Dublin but now living in Sneem, Co. Kerry. We are delighted to show her exhibition of paintings entitled ‘The Artist’s Way’. Painting came naturally and intuitively to Mary despite a background in science, Latin and maths. After her success in the Royal Hibernian Academy, the Oireachtas and three solo shows in The Oisin Gallery Dublin, a creative block of five years brought Mary to her knees, but also proved to be the greatest gift.
"Art and nature have always been great teachers, revealing the creative process and how to live creatively, which is now the bigger focus- finding ways to share this”.
December 2015 - January 2016
Henry McGrane & Norman Teeling
Henry McGrane attended Dun Laoghaire College of Art and Design and began his career in 1989 with Don Bluth Animation. In 1995 he moved to the U.S. to work for 20th Century Fox Animation as a background artists. Henry returned to Ireland in 2000 to establish himself as a traditional artist and has had many successful exhibitions in galleries such as The Royal Hibernian Academy, The Solart Gallery, Corporations like Bank of Ireland. Allied Irish Bank, FBD and The Department of Agriculture collect his art and he has been commissioned to collectors throughout Europe and The United States. Henry’s virtuosity is evident in several genres, including landscapes, still life, figurative genre-scenes and portraiture. But perhaps landscape painting best reflects both his love of nature and his outstanding painterly skills. The latter is exemplified by his mastery of perspective, compositional structure and draughtsmanship - each of which would require its own in-depth article to explain and illustrate.
Norman Teeling is a painter with a romantic impressionist style and a passion for painting ‘En Plein Air’. Born in Ireland in 1944, it was there where his tutors included Maurice MacDonigal PPRHA, Carey Clarke PPRHA, and John Kelly RHA and where he earned a Degree in Art and his teaching credential from the National College of Art and Design. After twelve years of teaching Art at several Dublin colleges, Norman Teeling took a hiatus from the profession to pursue his creative drive in the Animation industry. Norman’s wide repertoire includes street scenes, interiors, landscapes, portraits, still lives, and historical subjects, all painted with an accomplished proficiency. He has exhibited widely in well known Art Galleries in Ireland and abroad and his monumental ten painting suite, ‘The 1916 Rising’, now hangs on permanent display in the General Post Office, Dublin. Norman has also worked as a background artist on two feature films with Don Bluth Studios and travelled to Norway in 1996 to develop his first animated feature film, Gurin with Foxtail. Additional work has appeared on RTÉ and his creation Fearless Film was produced for Children’s Television, Dublin.
October - November 2015
This exhibition of new works by Dave West is a selection taken from a series of paintings completed on location during the past three years. These postcard-sized paintings are a result of the practice of painting ‘Plein Air’, a project initially undertaken with no planned outcome; just the practice of painting for it’s own sake. This series now numbers over a hundred and fifty pieces, with paintings from locations as diverse as the artist’s garden shed, through travels in the Mediterranean and Wales, to a number of paintings resulting from a month long residency in the Loughshinny boathouse (courtesy of Fingal Arts Office). The most interesting aspect of this project has been to see what the day and location offer and to find some visual expression or language for that moment where the weather, location and the artist meet. It is a practice of committing oneself to the act of painting and finding something in the most unassuming of locations and the most inclement weather.
August - September 2015
Phil McMenemy, Morag Paterson & Ted Leeming
Phil, Morag and Ted are Scotland’s finest landscape and abstract photographers who have exhibited around Europe with great success. This photographic exhibition has been inspired by Water. It exhibits the culmination of their explorations into the Southwest Scottish heartland and a personal study of the life-giving force. Water has long been an inspiration for art across many different disciplines spanning the centuries. What better subject than one that transforms endlessly and provides a mirror for light and landscape. The sounds and atmosphere around water are also associated with emotional responses in humans; the crash of a stormy sea, gently lapping waves, the constant babbling of a burn. Ted, Morag and Phil set out on journeys through their local landscape to investigate these qualities and to try to capture the many forms water can take. They did this by carefully selecting sections ofwatercourses to attempt to depict its force, power, form and structure. The resulting images demonstrate both common and disparate interactions with water in their own individual graphic styles.
June - July 2015
Stephen Nolan is a Wexford born painter living and working in Gorey, Co. Wexford. His paintings are colourful statements on modern Irish culture and the physical world he inhabits. Using a mix of considered geometric forms contrasting with bold expressive brushwork he achieves an offbeat dynamism in his compositions, while accenting the paintings with little islands of fine detail, he likes to create pieces that lend themselves to thought and contemplation. His paintings are created on a modest scale, created on stretched canvas pulled taut over wooden panels. In this way he achieves an overall aesthetic that subtly moves the meaning away from the image into the domain of the Art object and the ‘handmade’. While simultaneously use of strong colour means that when grouped together these paintings create a joyfully colourful gallery environment filled with multiple points of interest that creates a fascinating visual experience for the viewer. Loaded with humour the paintings are witty remarks on Ireland and what it means to be Irish, all set in an interesting display of beautiful Objet d’art for the gallery visitor to spend time with and reflect on at their leisure.
April - May 2015
Born in 1929, Thomas Ryan attended the Limerick School of Art, then the National College of Art in Dublin, where he studied under Seán Keating and Maurice Mc Gonigle. In 1957 he first exhibited at the RHA and became an associate member in 1968. He has had many commissions for portraits and he is also well known for his sensitive still-life paintings and for his Irish historical scenes, especially those of the 1916 Rising. He has exhibited at the Municipal Gallery of Modern Art in Dublin and was President of the RHA from 1982 to 1992.
Thomas Ryan's other accolades include;
• Designer of Irish coins and Medals;
• President, Royal Hibernian Academy of Arts, 1982 – 1992;
• Chairman, RHA Trust;
• Honorary Member, Royal Academy, London and Royal Scottish Academy, Edinburgh;
• Governor, National Gallery of Ireland, 1979 – 1982;
• Honorary Member, The Water Colour Society of Ireland;
• President, United Arts Club, Dublin;
• President, Limerick Art Society; Associate, National College of art & Design;
• Board Member, Stamp Design Committee, An Post;
• Founder Member, European Council of National Academies of Fine Art (Madrid);
• Council Member of Friends of the National Collection of Ireland;
• Knight of the Order of St. Lazarus of Jerusalem;
• Knight Commander of the Equestrian Order of the Holy Sepulchre of Jerusalem;
• Doctor of Letters; University of Limerick;
• Freeman of Limerick.
January - March 2015
Artist Barbara Craig is known for her striking landscape work; bold paintings often influenced by the weather, of scenes captured in her mind’s eye whilst out enjoying a ramble. Originally trained as a fashion designer she has always loved to draw people and will jot down little sketches of folk and animals when out painting ‘plein aire’. Capturing instances of ordinary everyday life there is always humour in this work. Barbara often finds herself painting views and vignettes maybe considered by others as mundane but manages to introduce a quirky twist or a personal abstract way of looking at us and our environment. Her work, whatever subject, is brought to life with a spontaneous, vigorous use of media and colour to hopefully captivate the viewer. Barbara's 2012 body of work was entitled ‘Stories from things past’ and centres around her early childhood in Portballintrae where she was born. Barbara has been a professional artist for the past 8 years and has had solo exhibitions in the north and south of Ireland and exhibited and sold work in England and France.
November - December 2014
Graphic Studio Gallery showcase the work of their studio members and gallery artists at our Easter Snow Gallery. This is a unique opportunity to see a selection of original fine art prints by renowned Printmakers, some of which were part of a wonderful exhibition inspired by The National Botanic Gardens Dublin. Graphic Studio Gallery is the oldest fine art print gallery in Dublin, centrally situated in the Temple Bar district, through the archway on Cope Street, behind the Central Bank building. It deals exclusively in contemporary original prints: etchings, photo etchings, lithographs, carborundum prints, screen prints and wood and lino block prints by prominent and emerging artists. Since its foundation in 1988 it has become an integral cultural feature of the city.
September - October 2014
Dervla O'Flaherty, an artist from North County Dublin completed her BA in Fine Art Painting at theNational College of Art and Design(NCAD), Dublin in 2012 and Post-Graduate studies at Cyprus College of Art in 2014. Dervla receivedseveral student and graduate awardsfollowing her BA Degree showincluding ‘RDS Student Art Awards and travelling exhibition’,‘Emerging Artist Residency Award’ and subsequent group exhibitions atCill Rialaig Artist Retreat, Co. Kerry. Her work was shown as part of the OPW‘Art of the State Exhibition 2013 ‘Encounters’(anOPW/DFP exhibition and publication – travelling to four destinations throughout Ireland). Dervla has exhibited widely in Ireland and Cyprus, and has upcoming exhibitions in Edinburgh, Belfast and Iceland. Dervla’s interests within her current painting series ‘places I am looking for’, are derived from active engagement with ideas of place and space, often focusing on the reimagining of place that comes into play in conjunction with memory, recounting and retelling. Her work is influenced by colours, forms and milieu of places she has travelled, picking up narrative from myth, stories and imagination, and becoming new places inhabited by memory, experience and longing.
July - August 2014
Maura Taylor Buckley was born in North County Dublin where she has continued to live and work, drawing her inspiration from the variety of the county. She exhibits frequently in Ireland, regularly at the RHA Annual Exhibition and her work is in private collections all over the world. Maura’s flair for design was inspired by Professor Romain; her mentor at the NCAD (National College of Art & Design, Dublin). Her pen and ink cityscapes invoke the essence of old Dublin where she was inspired by both the simple architecture of the back streets and Dublin’s impressive Georgian facades. Her rural roots are evident from the landscapes and seascapes of North County Dublin, a perennial favourite being the coastlines of Portrane. Maura is probably best known for her impressive still life work in oil, she is inspired by both Vermeer’s interiors and Chardin’s still life paintings.
May - June 2014
Jim Kilgarriff's inspiration and source of his material comes mainly from the costal environment of North Co. Dublin. The ever-changing interaction of sea, wind and shore provide a constant mine of possibilities. The finished pieces, mainly in acrylic on canvas or paper,explore the detailed weathering of shell shards and strata patterned stones. The awesome serpentine shapes, which make up the cliffs at Loughshinny are another source ofvisual excitement. Although not landscapes, Jim’s work reflects the texture and feel of the lovely place he lives.Small local details, eroded forms which evolve through wind and tide on the seashore, echo the grandeur of canyons and mountains. The patterns, colour and texture of broken shell, stone and rusty metal reflect the rhythm of sea and wind and are landscapes in themselves. The wonder of God's creation revealed in the small and intimate. Jim, an Art teacher in Rush, Co. Dublin for 29 years has had successful exhibitions in the Daffodil Gallery, Skerries; Belltable Arts Centre, Limerick; Linenhall Arts Centre, Castlebar, Co. Mayo; The Clotworthy Art Gallery, Co. Antrim; Rush Library, Co. Dublin.
March - April 2014
James English RHA (Royal Hibernian Academy) launched our Easter Snow Gallery with a six-week exhibition of his work. James, born in Naul, Co. Dublin in 1946 now lives in Loughshinny, Co. Dublin where he works from his Studio/Gallery. He first exhibited his work in 1974 in the Tattan Gallery, Malahide, Co. Dublin. This was followed by three more exhibitions in the Tattan before staging a one person Exhibition in Gallery 22, Dublin. He then went on to have successful exhibitions in Kilcock Art Gallery, Kildare; the James Gallery, Dublin; the Lavit Gallery in Cork; the Europa in Brussels; and the RHA Ashford Gallery.In 2003 James was elected an Associate Member of the Royal Hibernian Academy and subsequently in 2005 was elected a full member. Over the years James has been the recipient of a number of awards including; The James Kenneth Kennedy Memorial Award, RHA exhibition 2001; The ESB Keating/McLaughlin Medal & Award, RHA Exhibition 2003; and RHA Friends Award at the RHA Exhibition 2012.